Located in Ho Chi Minh City, Ho Chi Minh, Vietnam, Vegan House (2014) by Block Architects | The Hardt
Located in Ho Chi Minh City, Ho Chi Minh, Vietnam, Vegan House (2014) by Block Architects. This house was in an old terrace next to an apartment built in 1965. The owner works in travel and tourism, he once rented the house and planned to renovate it into a cultural place. It is on this spot that people meet up, share and cook Vietnamese traditional food, especially vegan one. They may also stay in during their time in Vietnam. The owner had hoarded up all the abandoned old things from his friends before brought about the project. They were every kind of furniture such as table, chair, wardrobe, window, and lampshade. With a tight budget, the architect wanted to exploit these old things with available ones and new ones to create a fresher place which still keeps traditional values of the former house. The old windows were used as the main material to create a distinctive appearance. These windows have been used in Vietnam for a long time because of its ventilation. They are now rearranged into a new facade with different colors and cover the old facade, wrap it up to the rooftop and create a special attraction, as well as harmonizing with the ancientness of entire area. Some open windows on the roof provide the trees beneath with space and natural light. This symbolizes growth, hopes for the future and goodness from traditional bedrock.
These windows also turn up inside the house as light partitions, separate and decorate space. On the ground floor, there are long curved kitchen cupboards go through the house. The big kitchen at the front is where people cook, talk and enjoy their cooking together in a dining room behind. Garden and an old staircase to the first floor are among these spaces. On the first floor, there is a bedroom in the front and a place to relax or work. A new steel staircase was built beside the atrium to the second floor, which used to be an unused roof. A bedroom was additionally made of old available steel sheeting, which lies beneath the roof system a short distance to prevent the heat from affecting inside. From this room to the front, there is a garden for drinking tea and looking at the night sky through lit in the window. Two toilets were also designed for these bedrooms. A small atrium was placed at the end for cross-room ventilation, it also provides beneath toilets with natural light. The material of the walls and floors was preserved. Unrefined cement surfaces, jalousie windows and bamboo wattle on the ceiling create both a modern and ancient place and revive Vietnamese architecture in the ’60s and ’70s The architect aspired to create a new place for newcomers from many different cultures. On the basis of rearranging old things in a new way, both the old things and the new ones can exist together and support each other. As time goes by, people here.
© Quang Tran
House 304 (2015) by KIENTRUC O located in Ho Chi Minh City, Vietnam | The Hardt
House 304 (2015) by KIENTRUC O located in Ho Chi Minh City, Vietnam. In this house, we want to provoke an honest living experience for a young family living in a typical urban Vietnamese townhouse. Only 3.5mx12m in size, single façade facing an open street, the design context poses challenges to create a casual, well ventilated and well-lit space within a constrained building footage. Vertical expansion of the light well helps to maximize the desired spatial quality and conditions, while provoking a sense of openness and connectedness to nature as it opens up to the sky. House 304 is a combination of simple spatial functionality, contemporary materials, structure, and construction methodology. Finishes with everyday material, white wall, and timber, the focal point of the house is the interplay between light and nature. Airy, open, and provides uninterrupted view both inside out, and outside in, the residence still possess a sense of private and secure when needed. Thus, the house is a pure representation depicting the life of a young Vietnamese family, that is straightforward, authentic and contented.
© Hiroyuki Oki
Tetsuka House (2003-2005) by John Pawson, situated in Tokyo, Japan | The Hardt
Tetsuka House (2003-2005) by John Pawson, situated in Tokyo, Japan. This design for a compact site in a suburb of Tokyo, the office’s first realized the domestic project in Japan, takes the form of a rectangular box containing living quarters, a room dedicated to the rituals of the traditional tea ceremony and a double-height courtyard open to the sky. The concrete envelope is tinted to reflect the internal division between floors and animated by openings. These apertures frame a series of meticulously edited vistas out of the building that become part of the landscape of the interior. The exaggerated length of the wall leading to the entrance brings quiet theatre to the experience of arrival. Project Team Shingo Ozawa
Photography Hisao Suzuki
Immersed in the dense forest of Pinamar, in Buenos Aires, Argentina, Marino House by ATV Arquitectos | The Hardt
Immersed in the dense forest of Pinamar, in Buenos Aires, Argentina, Marino House by ATV Arquitectos. Respecting its environment and taking advantage of the views, the house tries to preserve and adopt its surroundings. Focusing on the material-structure matters, the project looks into the concrete-wood matching, suggesting concrete as the material which defines the space-tectonic structure of the project. Three supporting partitions, lying linearly with each other, support the slab floors which in turn hang from the superior beams. The structure, with its dimension and texture differences, defines the space and at the same time limits and maximizes the open plant in the public sector. This gives rise to the phenomenon of a space completely ethereal in terms of limits; given that the whole joinery can be opened completely thus building a continuous semi-covered area. The forest is the house’s limit.
On the other hand, wood is the material used to create all the volumes and partitions and it is the element which defines the possible limits which might arise from this environment. These limits are blurred, manipulated. They can be sifted, closed, moved, separated, and so defining relations with the environment. The house functionally sets the access from a patio appendicular to the terrace, which suggests continuity of the street expansions. This patio divides the studio sector and the public space, made up of a living and dining room, kitchen and grill sector. On the first floor, the bedrooms are spatially defined by the location of the wet areas and the wooden partitions. At the same time, this level has access to an observatory deck overlooking the forest.
The transition from the public to the private space is made through a vertical circulation which takes the subject through different sensations as regards light and visuals. At the same time, a piece totally made of wood goes all over the project, fitting into the concrete structure and relating the different levels with storage places and overhead lightning depending on the conditions. Almost as if it were negative, the project looks into the phenomenical and material relation which arises between the downstairs world (public) and the upstairs world (private). From the concrete textures to the wooden joineries (closing downstairs in the exterior and upstairs in the interior) the project presents this counterpoint, emphasizing the difference between the supported and the supporting, as a tree expressing the elements which shelter the protected space.
© Albano García
The Memory (2015) by 23o5studio located in tp. Thủ Dầu Một, Vietnam | The Hardt
The Memory (2015) by 23o5studiolocated in tp. Thủ Dầu Một, Vietnam “The Memory” is an architectural project that is designed for a family of 3 generations – One of the specific characteristics of the Vietnamese – cultural tradition is having the grandparents, the parents and the children all living together in the same house. The spatial structure of this project requires a solution to solve basis daily issues that could arise between 2 young families and the elderly. In addition, the relation, the correlation, and the collision occur when there is no syntony in the lifestyles of the 3 generations is also a big challenge. In order to solve this problem, we consciously design a big house with 2 smaller private houses inside but they have the common front yard as well as backyard; at the end, all of the structures come together as one block.
The creation of a secondary activity area and a walkway to the back of the house helps to segregate daily life activities of the 2 families and to prevent them from colliding with each other; however, the house is still a continuous space for the children to play and the whole family to connect with one another. The main entrance of structure reminds us of “porch roof” of a traditional Vietnamese house, it is like a terrace space made of trees and water.T he main entrance is also higher lifted than the floor to create a gap that is big enough for ventilation. “Ngạch cửa” – an interesting detail of a Vietnamese house – is a place where they can sit, relax, or chat with their neighbors; especially, this is also – the children’ favorite playing space. The living room seems to be a small indoor yard where the light always changes, this is an enjoyable highlight when we step into this space.
In addition, one focus point of this project which we want to retain is the old tiled roof which was built by the grandfather himself about 50 years ago before the new house was constructed. This roof is the center and also the transitional space, it is seen as the soul of the overall structure of this house. The space below this tiled roof is the place where the whole family has dinner together every night -, share stories as well as recalling past memories. The space above the roof is transformed into a multi-purpose place for the children – to relax or read a book…
With “Khoảng trống” and natural light cleverly tackled, we can easily feel the outside weather from the inside. The spatial ratio is also carefully considered to create the necessary contrast between one space and another, light and darkness, modern and tradition. The height of the space is correlated with the empty spaces to bring the adequate sensation and make the people feel comfortable living inside. Beside ratio, space, light, and shadow, we also put into some trees so that everyone who comes in “the memory” can feel everything truly and closely. The trees are the balancing points between the visual and material blocks of the house, they also have the sensation-balancing effect.
“The Memory” is not just a house, it also reminds the family members off of their lost ones. According to the “No born, no die” philosophy, when we lose a beloved family member, the grief will always be there but the essence is in fact “not born, no die”. We believe that in this house, in this space, the soul of the late grandfather and father will always exist – in every single tile, pillar, detail… which was made by the ancestors themselves… “The Memory” aims to clear out the notion about the contrast between oldness and newness, light and darkness, tradition and modern. The project aims to stop people from tying themselves to one perception and taking it as the only truth. When you are not tied to one perception only, you are free.
© Quang Dam
Lộc House (2016) by 23o5studio located in Thành phố Thủ Dầu Một, Vietnam | The Hardt
Lộc House (2016) by 23o5studio located in Thành phố Thủ Dầu Một, Vietnam. Lộc House is a living space of a family with 2 young daughters. The space’s intention is to connect the family members’ activities together. The house’s common area features a small courtyard roofed by a veranda, where the children can enjoy the open space. Lộc house’s colorful veranda casts wavy silhouettes on the wood clad floor. The common space is “Mái hiên” and a small courtyard inside, where children can playing around, reading a book,… In the home, all members are able to observe and communicate with one another through “Khoảng trống.” In the course of operation, human communication of light, wind, and plants act as a resonant and emotional touch. The house’s character then becomes an organic part of the environment, along with the plethora of greenery decorating the rooms. The bedrooms are considered to meet in a just enough way. The architects intentionally left the open space untouched in order to facilitate communication between each other.
© KingKien Photography