The Hardt Anish Kapoor Monumenta 2011 in Paris / France, Anish Kapoor Art Design Interior Design Video  Paris france art installation Anish Kapoor   Image of Anish Kapoor

Monumenta 2011 in Paris / France, Anish Kapoor

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Monumenta 2011 in Paris / France, internationally renowned artist Anish Kapoor has created a truly monumental work called Leviathan | The Hardt

 

 

 

 

For Monumenta 2011 in Paris / France, internationally renowned artist Anish Kapoor has created a truly monumental work called Leviathan. Kapoor created a space within the space of the Grand Palais. “Visitors will be invited to walk inside the work, to immerse themselves in color, and it will, I hope, be a contemplative and poetic experience” (Anish Kapoor). Video by Christophe Ecoffet.

 

Aesthetically and Geographically Related Projects:

 


 

The Hardt Falling Garden by Gerda Steiner and Jo%CC%88rg Lenzlinger1 Monumenta 2011 in Paris / France, Anish Kapoor Art Design Interior Design Video  Paris france art installation Anish Kapoor   Image of Falling Garden by Gerda Steiner and Jo%CC%88rg Lenzlinger1

Falling Garden by Gerda Steiner & Jörg Lenzlinger| Rebecca Law ‘Garten’

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Falling Garden by Gerda Steiner & Jörg Lenzlinger| Rebecca Law ‘Garten’

Falling Garden (2003) by Gerda Steiner & Jörg Lenzlinger located at the 50th Venice Biennial in the Church of San Stae on the Grand Canal. The Falling Garden was created for the 50th Venice Biennial in 2003. It was housed in the Church of San Stae on the Grand Canal. It was conceived and executed by Swiss artists Gerda Steiner and Jörg Lenzlinger. Gerda Steiner and Jörg Lenzlinger create site-specific fantasias and interactive wonderlands which are an adaptation of nature. The two have collaborated since 1997 and among the most successful contemporary Swiss artists.

Conceived and executed by Swiss artists Gerda Steiner and Jörg Lenzlinger, Falling Garden (2003) is a world in which botanical curios are suspended from the ceiling of a 17th-century church for the 50th Venice Biennial in 2003. It’s a botanic tableau in three dimensions, against a backdrop of richly decorated Italian marble.

 

 

 


Rebecca Louise Law

‘Garten’ (March-April 2016)

 

Materials: 30,000 mixed flowers, copper wire
Year: 2016
Location: Berlin, Germany
Exhibited: March – April 2016

Flowers donated by Dutch Flower Council.

 

 

 

Check out more of Rebecca’s work on her website, which is absolutely gorgeous.

 


 

 

Some other cool architectural projects, not really related but still pretty tight:

 

 


 

The Hardt Plain Space Exhibition. Design Museum London  Monumenta 2011 in Paris / France, Anish Kapoor Art Design Interior Design Video  Paris france art installation Anish Kapoor   Image of Plain Space Exhibition. Design Museum London

Plain Space Exhibition – John Pawson – Design Museum London 2010

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Plain Space Exhibition – John Pawson – Design Museum London 2010 | The Hardt

 

 


 

Plain Space Exhibition – John Pawson – Design Museum London 2010. The goal here was to communicate the thinking and give a sense of the body of work, whilst also engaging the widest possible audience. Since engagement is facilitated by first-hand experience, a site-specific, 1:1 installation was conceived as a key element — the first time anyone had constructed a building inside the Design Museum. As well as the more conventional curated content of an architectural show, the design incorporated subtle changes to the gallery space itself, on the basis that the success of the exhibition would not simply be a matter of the quality of the assembled material, but of the overall atmosphere, this spatial recalibration would generate.   

 


 

The team at Studio Hardie, based in Lewes, East Sussex, has a wide range of specialist expertise from cutting-edge design to age-old craft skills. In this post, Hamish Boden describes the challenges they faced when creating the ultimate modern exhibition space using traditional skills. This project was a 1:1 scale architectural installation to host the Plain Space exhibition for British architect John Pawson , described by the New York Times as “the father of modern architectural minimalism”.  The installation space was both a location for the exhibition and part of the event and was based at the Design Museum, London, in September 2010.  Hamish writes “This was one of Studio Hardie’s first full-scale architectural installations, essentially a building inside a building. The difficulty with achieving a crisp minimal look is that exposed fixings are not allowed so all the mechanics go on behind the scenes. Another major hurdle of the project was the timescale, achieving the level of tolerance and perfection on a really tight installation turnaround. The beauty of having such a big workshop is that you can create entire structures, test them check everything fits and make fine adjustments before leaving the workshop, this can save days of site work.

 

 


 

Spending time meticulously planning the install is critical; the choreography of how everything comes together quickly, accurately and beautifully. We couldn’t rely on ‘off the shelf’ being totally straight so we designed a new system for making dead flat-straight walls out of MDF torsion boxes. You often hear carpenters complaining about using MDF but for us it was a rare treat.  We are used to using solid timber that shrinks cracks and moves.  MDF, in contrast, is a very predictable and versatile material. It was a real challenge to create the curved ceiling.  We knew that constructing the sections on the floor would mean we could make a much better quality finish than working over-head. This is where modern technology meets classic old-fashioned carpentry knowledge. To get the perfect curve we had some roof fins cut with CNC and covered them with a thin sheet of MDF.

 

 

Photos: Gilbert McCarragher and Marco Zanta

Project Team Mark Treharne, Chris Masson, Nicholas Barba, Alison Morris

 


 

 

Aesthetically and Geographically Related Projects:

 


 

The Hardt Thomas Hirschhorn3 Monumenta 2011 in Paris / France, Anish Kapoor Art Design Interior Design Video  Paris france art installation Anish Kapoor   Image of Thomas Hirschhorn3

Thomas Hirschhorn – Artist Profile

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Thomas Hirschhorn Swiss, b. 1957, Bern, Switzerland, based in Paris, France

Using his signature materials of plywood, cardboard, aluminum foil, packing tape, and copious photocopies, Thomas Hirschhorn makes installations that advance pointed critiques of the global military-industrial complex. Hirschhorn’s works overflow with imagery and text, created with a deliberately slap-dash DIY aesthetic and often incorporating the writings of such Leftist philosophers as Antonio Gramsci and Georges Bataille. The over-abundance of ideas and images in Hirschhorn’s installations mimics the media saturation of contemporary life and highlights the desensitization that consumers experience as a result. For Laundrette (2001), the artist transformed the gallery space into a facsimile of a typical Laundromat, complete with drab linoleum floor, garbage bins, and chained up plastic chairs, juxtaposed with the phrases from Marxist writings adorning the walls.
Notable Exhibitions:

 


 

Hirschhorn’s work has been the subject of numerous solo exhibitions including the Institute of Contemporary Art, Boston; Centre Georges Pompidou, Paris; Museu d’Art Contemporani, Barcelona; Kunsthaus ZürichArt Institute of ChicagoMuseum Ludwig, Cologne; and Wiener Secession, Vienna. In the summer of 2009, his work Cavemanman was recreated for the exhibition Walking in my Mind at London’s Hayward Gallery.[5]


The Hardt Selected photos of this insane madman genius work below:

 

 

 


Biography Below

Timeline

1957
Born in Bern, Switzerland
1978–1983
Schule für Gestaltung, Zurich
1999
Preis für Junge Schweizer Kunst, juried by Zürcher Kunstgesellschaft Exposition Wirtschaftslandschaft Davos, 2001 at the Kunsthaus Zürich
2000
Prix Marcel Duchamp, juried by l’Adiaf, Paris
2003
“Rolandpreis für Kunst im öffentlichen Raum,” awarded by Stiftung Bremer Bildhauerpreis, Bremen
2004
Joseph Beuys-Preis, awarded by Joseph Beuys-Stiftung, Basel
2011
Kurt-Schwitters-Preis
Lives in Paris, France

Exhibitions

2012–2013
9th Shanghai Biennale together with Sophie Calle
2012
Richard Koh Fine Art, Singapore
2011
Aargauer Kunsthaus, Aarau, Switzerland
2011
Of Bridges and Borders, Fundacion PROA, Buenos Aires, Argentina
2011
Dislocation, Kunstmuseum Bern, Switzerland
2011
French Window : Looking art the contemporary art through the Marcel Duchamp Prize, Mori Art Museum, Japan
2011
The Luminous Interval, Guggenheim Museum, Bilbao, Spain
2011
Inhotim, Belo Horizonte, Brazil
2011
Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy
2011
September 11, MoMA, New York, USA
2011
The Uncanny Familiar. Images of Terror, C/O Berlin, International Forum for Visual Dialogues, Berlin, Germany
2011
Wander, Labyrinthine Variations, Centre Pompidou-Metz, Metz, France
2011
Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Dublin, Ireland
2011
Kunst und Philosophie, curated by Marcus Steinweg, Neuer Berliner Kunstverein, Berlin, Germany
2011
Que admirez-vous?, La Box, Ecole Nationale Supérieure des Arts de Bourges, France
2011
Tout ce que vous avez toujours voulu savoir sur le blanc, FRAC Aquitaine, Bordeaux
2011
Equality Float, La Douane / Galerie Chantal Crousel, Paris, France (solo)
2011
Kurt Schwitters Preis, Sprengel Museum Hannover, Hannover, Germany (solo)
2011
Ecole régionale des Beaux-Arts de Besançon, France (solo)
2011
Musée des Beaux-Arts de Aarau, Switzerland (solo)
2011
Das Auge, The Power Plant, Toronto, Canada (solo)
2011
It’s burning everywhere, Kunsthalle Mannheim, Germany (solo)
2011
La Biennale di Venezia, Venice, Italy
2010
Museum Dhondt-Dhaenens, Deurle, Belgium (solo)
2010
Michael Stevenson, Capetown, South Africa (solo)
2010
CNEAI, Chatou, France (solo)
2010
Deurle, Belgium (solo)
2010
Casa Encendida, Madrid, Spain (solo)
2009
BAROCK, MADRE Museo d’Arte Contemporanea Donna Regina, Naples
2009
Niet Normaal, Difference on Display, Beurs van Berlage, Amsterdam
2009
Collection: MOCA’s First Thirty Years, Museum of Contemporary Art, Los Angeles
2009
Pièces de Résistance: Forms of Resistance in Contemporary Art,” Kustmuseum Thun, Switzerland
2009
Images Recalled, Fotofestival, Mannheim
2009
T.I.C.A.B. – Tirana International Contemporary Art Biannual, Tirana, Albanie
2009
La Planète des signs / Planet of signs, Le Plateau, Paris
2009
Paradise & Parades: Here Comes Everybody, Parasol Unit Foundation for Contemporary Art, London
2009
Walking in My Mind, Hayward Gallery, London
2009
The Bijlmer Spinoza-Festival, Amsterdam (solo)
2009
Universal Gym, Gladstone Gallery, New York (solo)
2009
Thomas Hirschhorn: Poor-Racer, Christchurch Art Gallery, New Zealand (solo)
2009
Thomas Hirschhorn: It’s Burning Everywhere, Dundee Contemporary Arts, Scottland (solo)
2009
The Subjecters: Thomas Hirschhorn, La Casa Encendida, Madrid (solo)
2008
The Artist’s Library, Centre International d’art et du paysage, Ile de Vassivière
2008
Poor Tuning, Kurimanzutto, Mexico
2008
Stand-alone, Museo Tamayo, Mexico
2007
Thomas Hirschhorn: Jumbo Spoons and Big Cake, Musee D’Art Contemporain De Montreal, Montreal, Canada
2007
Collage: The Unmonumental Picture, New Museum, New York
2007
Airs de Paris, Pompidou Centre, Paris, France
2007
Volksgarten: Politics of Belonging, Steirischer Herbst Festival, Kunsthaus Graz, Austria
2007
Rethinking Dissent, Göteborg International Biennial for Contemporary Art, Göteborg
2007
Concretion Re, Galerie Chantal Crousel, Paris (solo)
2007
Stand-alone, Arndt & Partner, Berlin (solo)
2007
Substitution 2, Stephen Friedman, London (solo)
2006
Ingeborg Bachmann Altar, Alexanderplatz Station, Berlin (solo)
2006
United Nations Miniature, 2000, Museo de Arte Contemporaneo de Castilla y Leon, Spain (solo)
2006
Concretion, le Creux de l’enfer centre d’art contemporain, Thiers (solo)
2006
27th Biennial of Sao Paulo, Sao Paulo Brazil
2006
International Biennial of Contemporary Art of Seville, Seville, Spain
2006
Into Me/Out of Me, PS 1 MoMA, New York
2006
Heart of Darkness, Walker Art Center, Minneapolis
2006
Infinite Painting, Contemporary Painting and Global Realism, Kunstmuseum, Liechtensein, Vaduz
2006
Notations: Energy Yes!, Philadelphia Museum of Art, Philadelphia
2006
Alexanderplatz U2, Berlin, Neue Gesellschaft fur bildende Kunst, Berlin
2006
Surprise, Surprise, ICA, London
2006
The Grand Promenade, Hellenic Ministry of Culture, National Museum of Contemporary Art, Athens, Greece
2006
The Green Coffin, Alfonso Artiaco, Napoli, Italy
2006
The Procession, Kestner Gesellschaft, Hannover Germany
2006
Superficial Engagement, Gladstone Gallery, New York
2005
Pinakothek der Moderne, Munich
2005
Bonnefantenmuseum, Maastricht
2005
Utopia, Utopia = One World One War One Army One Dress, Institute of Contemporary Art, Boston; CCA Wattis Institute for Contemporary Arts
2005
Anschool II, Museu Serralves, Portugal
2004
Centre Culturel Suisse, Paris
2004
Palais de Tokyo, Paris“24h Foucault”
2004
Stephen Friedman Gallery, London
2004
Aubervilliers, France, Musée Précaire Albinet
2004
Skulptur Sortier Station, Varsovie
2003
Chantal Crousel Gallery, Paris
2003
Schirn Kunsthalle Frankfurt
2003
Alfonso Artiaco, Pozzuoli, Naples Italy
2002
Arndt & Partner, Berlin
2002
Barbara Gladstone Gallery, New York, “Cavemanman”
2002
Universität Zürich-Irchel, Zurich, “Liubov Popova Kiosk,” n°7
2001
Centre Georges Pompidou, Paris (Prix Marcel Duchamp
2001
MACBA, Barcelone
2001
Stephen Friedman Gallery, London
2001
Kunsthaus, Zürich (Preis für junge schweizer Kunst)
2001
La Salle de bains, Lyon
2000
The Art Institute of Chicago, Chicago
2000
The Renaissance Society, Chicago
1999
Galerie Arndt & Partner, Berlin

Literature

2009
Walking in My Mind, Hayward Gallery, London
2008
27a. Bienal de São Paulo: Como Viver Junto, Eds. Lisette Lagnado and Adriano Pedrosa, Casac Naify, São Paulo, 2008
2008
Paixóns Privadas, Visións Públicas Collections D.O. Galicia, Museo de Arte Contemporánea de Vigo, Spain, 2008
2008
Stations: 100 Masterpieces of Contemporary Art, DuMont Buchverlag, Köln, 2008
2008
This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles, 2008
2008
Stand-alone, Museo Tamayo, Mexico, 2008.
2008
Qu’est-ce que La Sculpture Aujourd’hui? Caroline Cross, Beaux Arts. Editions 2008
2007
Into Me/Out of Me, KW Institute for Contemporary Art, P.S.1 Contemporary Art Center, Hatje Cantz, Ostfildern, 2007
2007
Collage: The Unmonumental Picture, New Museum of Contemporary Art, New York
2007
Michalka, Matthias, The Artist as…, MUMOK, Wien, 2007.
2007
Volksgarten: Politics of Belonging, Walther König, 2007
The Hardt Trace of Memory234 Monumenta 2011 in Paris / France, Anish Kapoor Art Design Interior Design Video  Paris france art installation Anish Kapoor   Image of Trace of Memory234

Chiharu Shiota

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CHIHARU SHIOTA

 

 

Chiharu Shiota is primarily known for large-scale installations such as The Key In The Hand (2015) with which she represented Japan at the 56th Venice Biennale. The starting points for the majority of Shiota’s installations are collections of used possessions; belongings, haunted by memories, that act as expressions of human acts. Complex networks of yarn are often interlaced around and between objects, linking their inherent narratives and creating a new visual plane, as if painting in mid-air.

Shiota initially studied painting at Seika University, Kyoto. During this time she undertook an exchange residency at Canberra School of Art, Australia. It was here that she began to explore the boundaries of painting, staging her first performance Becoming Painting (1994) in which she used her body as a canvas.

She moved to Germany in 1996 and continued her studies, firstly in Braunschweig and later Berlin, where she continues to live today. Her installations began receiving international attention in 2000, primarily through the group exhibition Continental Shift at the Ludwig Forum, Aachen and also the 2001 Yokohama Triennale.

via BrainSouthern

In silence. Bienne, 2008  In Silence [CentrePasquArt, Biel – Bienne ]

 

His Chair [MART-Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento / Rovereto]

 

 

Trace of Life [Torstrasse 166-Das Haus der Vorstellung, Berlin]

 

 

Letters of Thanks, 2014, Castello, Spain. | Chiharu Shiota | Pinterest | Spain and Artist

 

“The Key in the Hand”, 2015, The 56th International Art Exhibition – la Biennale di Venezia, Venice/Italy, photo by Sunhi Mang

 

 

 

During Sleep [The National Museum of Art, Osaka]

 

 

 

Others

 

 


Upcoming Exhibitions 
Solo Exhibitions (selection)

2018

  • “Remind of …” Galeria Nieves Fernandez, Madrid / Spain
  • “Form of Memory” Kenji Taki Gallery, Tokyo / Japan
  • “The Butterfly Dream” Kyoto Art for Tomorrow 2018, The Museum of Kyoto / Japan
The Hardt floating fountain by olafur 1080x675 Monumenta 2011 in Paris / France, Anish Kapoor Art Design Interior Design Video  Paris france art installation Anish Kapoor   Image of floating fountain by olafur 1080x675

Floating Waterfall Art Installations That Touch The Hardt (Part 1)

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Part of artist Olafur Eliasson’s Versailles exhibition, The Waterfall is a massive, life-size replica of an actual waterfall that almost doesn’t seem real. The plumes of water appear from mid-air before pouring down into the Grand Canal at the Palace of Versailles.Olafur is one of our favorite artists.

 

 


Floating Fountains by Isamu Noguchi, Osaka, Japan

These decidedly modern fountains appear to float with no connection to ground or water over an artificial lake. A brilliant cinematic feat of artistic ingenuity and clever plumbing they were dreamed up by the Californian sculptor and landscape architect Isamu Noguchi for Expo’ 70, the first World’s Fair to be hosted in Japan. Only when they are not working is Noguchi’s mystifying game given away. Water is pumped up to the sculpted floating fountains through vertical pipes invisible when the fountains flow. Happily, Noguchi’s artwork has remained long after the futuristic 1970 exhibition had vanished into folk memory. (Credit: The Isamu Noguchi Foundation and Garden Museum, New York / ARS, New York – DACS, London/ Michio Noguchi) via BBC


 


 

There Is Truly Something To Be Said About A Piece Of Art That Blends Into The Surrounding In Which It Was Placed. Blending Seamlessly Into It’s Surrounding Environment While Not Disturbing It’s And Actually Enhancing The Surroundings, Is The Epitome Of A Good Design Becoming A Great Design.

 


The Hardt Christian Boros and wife Karen Lohmann 5 story Berlin home3 Monumenta 2011 in Paris / France, Anish Kapoor Art Design Interior Design Video  Paris france art installation Anish Kapoor   Image of Christian Boros and wife Karen Lohmann 5 story Berlin home3

Christian Boros and Karen Lohmann Converted World War 2 Bunker Berlin Home

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Christian Boros and wife Karen Lohmann  5-story Berlin home, converted from World War 2 bunker to this unbelievably, surreal house | The Hardt

 

Christian Boros and wife Karen Lohmann  5-story Berlin home, converted from World War 2 bunker to this unbelievably, surreal house. This historically significant Second World War building was originally constructed for the German railway company by reinforced concrete and was used as a shelter to protect travelers who arrived at the Friedrichstrasse Railway station from air raid attacks. Architect Karl Bonatz was commissioned by Nazi Germany the architectural design of The Bunker; the building had a capacity which could shelter up to 3,000 passengers in five floors.

 


 

Completed under Hitler’s command in 1943, the bunker was built as an air-raid shelter for the passengers of the nearby train station. In case of attack, the bunker, with 180 cm (six feet) walls and a three meter (nine feet) deep ceiling, could house and protect 3,000 seated people distributed over five floors. The design by Karl Bonatz strictly followed the guidelines of Albert Speer, the Third Reich’s head architect and a member of Hitler’s inner circle. In the years following the fall of the Nazi regime, the bunker embraced varying functions –  from a tropical fruit warehouse (known to locals as the “Banana Bunker”) to the locale for hard-core fetish and techno parties in the 1990’s – until it was forced to shut down by the police in 1995.

 

 

 

 

 

 


 

In 2003, Christian Boros, art collector, and owner of a successful advertising agency decided to purchase the bunker and convert it into his own gallery and home. Renovation commenced in 2004 by the Berlin-based firm Realarchitektur – Jens Casper, Petra Petersson, and Andrew Strickland – who were commissioned to design both the exhibition and living spaces. Using a method of subtraction from the original form, over 750 cubic meters of concrete were diamond-sawed from within and carefully removed by hand. Additions which had been made over the years were removed, the facades cleaned, but the inner exposed walls were kept as they were, with the traces of sweat, blood and neon dye left behind by the building’s diverse users over the decades.

 

 

 

 

 


 

 

The façades of the building were cleaned and were structurally refurbished while paying homage and being in accordance with heritage. Bullet holes from World War II bear witness to the historical significance of the building and were dealt with respect, thus leaving war traces physically present. In the heart of this hermetic concrete, cube remains the exhibition of contemporary works since the early 1990’s to recent. However, in order to create this space suitable for the Boros collection, architect Jens Casper drastically deconstructed the 33,000 ft² (3,000 m²) bunker, which was once devoid of natural light, transforming it into a complex 80-room arrangement.

 

 

 

 


 

The artwork which is currently on display has been installed in the rooms by the artists themselves and works with space. If you made it this far, my apologies for posting such a long story, but this home is absolutely deserving of one.

 

© Ailine Liefeld for Freunde von Freunden

 

 


 

 

Aesthetically and Geographically Related Projects:

 


 

The Hardt THE HARDT NEW LOGO Monumenta 2011 in Paris / France, Anish Kapoor Art Design Interior Design Video  Paris france art installation Anish Kapoor   Image of THE HARDT NEW LOGO

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