Monumenta 2011 in Paris / France, Anish Kapoor

Monumenta 2011 in Paris / France, Anish Kapoor

Asher 7:30 pm 11:20 am

 

Monumenta 2011 in Paris / France, internationally renowned artist Anish Kapoor has created a truly monumental work called Leviathan | The Hardt

 

 

 

 

For Monumenta 2011 in Paris / France, internationally renowned artist Anish Kapoor has created a truly monumental work called Leviathan. Kapoor created a space within the space of the Grand Palais. “Visitors will be invited to walk inside the work, to immerse themselves in color, and it will, I hope, be a contemplative and poetic experience” (Anish Kapoor). Video by Christophe Ecoffet.

 

Aesthetically and Geographically Related Projects:

 


 

Falling Garden by Gerda Steiner & Jörg Lenzlinger| Rebecca Law ‘Garten’

Falling Garden by Gerda Steiner & Jörg Lenzlinger| Rebecca Law ‘Garten’

Asher 10:57 am 8:47 pm

Falling Garden by Gerda Steiner & Jörg Lenzlinger| Rebecca Law ‘Garten’

Falling Garden (2003) by Gerda Steiner & Jörg Lenzlinger located at the 50th Venice Biennial in the Church of San Stae on the Grand Canal. The Falling Garden was created for the 50th Venice Biennial in 2003. It was housed in the Church of San Stae on the Grand Canal. It was conceived and executed by Swiss artists Gerda Steiner and Jörg Lenzlinger. Gerda Steiner and Jörg Lenzlinger create site-specific fantasias and interactive wonderlands which are an adaptation of nature. The two have collaborated since 1997 and among the most successful contemporary Swiss artists.

Conceived and executed by Swiss artists Gerda Steiner and Jörg Lenzlinger, Falling Garden (2003) is a world in which botanical curios are suspended from the ceiling of a 17th-century church for the 50th Venice Biennial in 2003. It’s a botanic tableau in three dimensions, against a backdrop of richly decorated Italian marble.

 

 

 


Rebecca Louise Law

‘Garten’ (March-April 2016)

 

Materials: 30,000 mixed flowers, copper wire
Year: 2016
Location: Berlin, Germany
Exhibited: March – April 2016

Flowers donated by Dutch Flower Council.

 

 

 

Check out more of Rebecca’s work on her website, which is absolutely gorgeous.

 


 

 

Some other cool architectural projects, not really related but still pretty tight:

 

 


 

Plain Space Exhibition – John Pawson – Design Museum London 2010

Plain Space Exhibition – John Pawson – Design Museum London 2010

Asher 6:07 pm 8:48 pm

Plain Space Exhibition – John Pawson – Design Museum London 2010 | The Hardt

 

 


 

Plain Space Exhibition – John Pawson – Design Museum London 2010. The goal here was to communicate the thinking and give a sense of the body of work, whilst also engaging the widest possible audience. Since engagement is facilitated by first-hand experience, a site-specific, 1:1 installation was conceived as a key element — the first time anyone had constructed a building inside the Design Museum. As well as the more conventional curated content of an architectural show, the design incorporated subtle changes to the gallery space itself, on the basis that the success of the exhibition would not simply be a matter of the quality of the assembled material, but of the overall atmosphere, this spatial recalibration would generate.   

 


 

The team at Studio Hardie, based in Lewes, East Sussex, has a wide range of specialist expertise from cutting-edge design to age-old craft skills. In this post, Hamish Boden describes the challenges they faced when creating the ultimate modern exhibition space using traditional skills. This project was a 1:1 scale architectural installation to host the Plain Space exhibition for British architect John Pawson , described by the New York Times as “the father of modern architectural minimalism”.  The installation space was both a location for the exhibition and part of the event and was based at the Design Museum, London, in September 2010.  Hamish writes “This was one of Studio Hardie’s first full-scale architectural installations, essentially a building inside a building. The difficulty with achieving a crisp minimal look is that exposed fixings are not allowed so all the mechanics go on behind the scenes. Another major hurdle of the project was the timescale, achieving the level of tolerance and perfection on a really tight installation turnaround. The beauty of having such a big workshop is that you can create entire structures, test them check everything fits and make fine adjustments before leaving the workshop, this can save days of site work.

 

 


 

Spending time meticulously planning the install is critical; the choreography of how everything comes together quickly, accurately and beautifully. We couldn’t rely on ‘off the shelf’ being totally straight so we designed a new system for making dead flat-straight walls out of MDF torsion boxes. You often hear carpenters complaining about using MDF but for us it was a rare treat.  We are used to using solid timber that shrinks cracks and moves.  MDF, in contrast, is a very predictable and versatile material. It was a real challenge to create the curved ceiling.  We knew that constructing the sections on the floor would mean we could make a much better quality finish than working over-head. This is where modern technology meets classic old-fashioned carpentry knowledge. To get the perfect curve we had some roof fins cut with CNC and covered them with a thin sheet of MDF.

 

 

Photos: Gilbert McCarragher and Marco Zanta

Project Team Mark Treharne, Chris Masson, Nicholas Barba, Alison Morris

 


 

 

Aesthetically and Geographically Related Projects:

 


 

Thomas Hirschhorn – Artist Profile

Thomas Hirschhorn – Artist Profile

Asher 5:00 pm 8:49 pm

Thomas Hirschhorn Swiss, b. 1957, Bern, Switzerland, based in Paris, France

 

 


Using his signature materials of plywood, cardboard, aluminum foil, packing tape, and copious photocopies, Thomas Hirschhorn makes installations that advance pointed critiques of the global military-industrial complex. Hirschhorn’s works overflow with imagery and text, created with a deliberately slap-dash DIY aesthetic and often incorporating the writings of such Leftist philosophers as Antonio Gramsci and Georges Bataille. The over-abundance of ideas and images in Hirschhorn’s installations mimics the media saturation of contemporary life and highlights the desensitization that consumers experience as a result. For Laundrette (2001), the artist transformed the gallery space into a facsimile of a typical Laundromat, complete with drab linoleum floor, garbage bins, and chained up plastic chairs, juxtaposed with the phrases from Marxist writings adorning the walls.
Notable Exhibitions:

 


 

Hirschhorn’s work has been the subject of numerous solo exhibitions including the Institute of Contemporary Art, Boston; Centre Georges Pompidou, Paris; Museu d’Art Contemporani, Barcelona; Kunsthaus ZürichArt Institute of ChicagoMuseum Ludwig, Cologne; and Wiener Secession, Vienna. In the summer of 2009, his work Cavemanman was recreated for the exhibition Walking in my Mind at London’s Hayward Gallery.[5]


The Hardt Selected photos of this insane madman genius work below:

 

 

 


Biography Below

Timeline

1957
Born in Bern, Switzerland
1978–1983
Schule für Gestaltung, Zurich
1999
Preis für Junge Schweizer Kunst, juried by Zürcher Kunstgesellschaft Exposition Wirtschaftslandschaft Davos, 2001 at the Kunsthaus Zürich
2000
Prix Marcel Duchamp, juried by l’Adiaf, Paris
2003
“Rolandpreis für Kunst im öffentlichen Raum,” awarded by Stiftung Bremer Bildhauerpreis, Bremen
2004
Joseph Beuys-Preis, awarded by Joseph Beuys-Stiftung, Basel
2011
Kurt-Schwitters-Preis
Lives in Paris, France

Aesthetically Related Projects:

 

https://thehardt.com/architecture/basilica-fabio-fantolino/

https://thehardt.com/architecture/mountain-cabin-2011-by-marte-marte-architekten/

https://thehardt.com/book-of-the-day/

 

Chiharu Shiota

Chiharu Shiota

Asher 1:21 am 8:49 pm


CHIHARU SHIOTA

 

 

Chiharu Shiota is primarily known for large-scale installations such as The Key In The Hand (2015) with which she represented Japan at the 56th Venice Biennale. The starting points for the majority of Shiota’s installations are collections of used possessions; belongings, haunted by memories, that act as expressions of human acts. Complex networks of yarn are often interlaced around and between objects, linking their inherent narratives and creating a new visual plane, as if painting in mid-air.

Shiota initially studied painting at Seika University, Kyoto. During this time she undertook an exchange residency at Canberra School of Art, Australia. It was here that she began to explore the boundaries of painting, staging her first performance Becoming Painting (1994) in which she used her body as a canvas.

She moved to Germany in 1996 and continued her studies, firstly in Braunschweig and later Berlin, where she continues to live today. Her installations began receiving international attention in 2000, primarily through the group exhibition Continental Shift at the Ludwig Forum, Aachen and also the 2001 Yokohama Triennale.

via BrainSouthern

In silence. Bienne, 2008  In Silence [CentrePasquArt, Biel – Bienne ]

 

His Chair [MART-Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento / Rovereto]

 

 

Trace of Life [Torstrasse 166-Das Haus der Vorstellung, Berlin]

 

 

Letters of Thanks, 2014, Castello, Spain. | Chiharu Shiota | Pinterest | Spain and Artist

 

“The Key in the Hand”, 2015, The 56th International Art Exhibition – la Biennale di Venezia, Venice/Italy, photo by Sunhi Mang

 

 

 

During Sleep [The National Museum of Art, Osaka]

 

 

 

Others

 

 


Upcoming Exhibitions 
Solo Exhibitions (selection)

2018

  • “Remind of …” Galeria Nieves Fernandez, Madrid / Spain
  • “Form of Memory” Kenji Taki Gallery, Tokyo / Japan
  • “The Butterfly Dream” Kyoto Art for Tomorrow 2018, The Museum of Kyoto / Japan
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