Atelier Hermann Rosa, located in Munich, Germany | The Hardt
Atelier Hermann Rosa, located in Munich, Germany. Atelierhaus Hermann Rosa is a daylight studio built as a big sculpture by hand without any machines by sculptor Hermann Rosa (1911-1981) in Munich between 1960 and 1968. An elemental concrete stair leads one up to a vaulted hall. A simple round skylight recalls the moon. Modest pavers lead the eye and the inhabitant deeper into the forest glade. The sculptor Hermann Rosa personally built his ateliers in Munich like larger-than-life concrete sculptures. Due to the manual, up and dismantling way of working as well as the choice of fewer base materials his architectural work differs from the modern one and refers in its design language clearly to these. Sunlight was both tectonic and mass for Rosa. As in his late work, two portrait heads, he sought in the architecture of the enclosed space stormy and purist at the same time.
“The studio building Rosas is a radiant solitaire in the German architectural landscape. It is a spatial work of art that can hardly be compared to architectural radicalism throughout Germany in the decades between 1950 and 1980. Decades before the so celebrated concrete minimalism of Luigi Snozzi, Peter Märkli or Peter Zumthor, Rosa created a masterpiece whose impressive and moving spatial asceticism will outlive many fashions of architecture and which deserves a place of honor in post-war German architectural history. “
The interiors are denuded of all save the absolute minimum. A single material (concrete) is deployed throughout with tremendous effect. Silver birches soften tough exteriors. Boarded formwork joints part and make way for inset plumbing pipes, which become sculptural – a bas-relief of utility. An elemental concrete stair leads one up to a vaulted hall. A simple round skylight recalls the moon. Modest pavers lead the eye and the inhabitant deeper into the forest glade.
Photography by Jürg Zimmermann. Images courtesy of Atelier Rosa.
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House for a Photographer (2017) by Kouichi Kimura Architects located in Japan| The Hardt
House for a Photographer (2017) by Kouichi Kimura Architects located in Japan. The building is used as a studio and a gallery of the photographer work. It is also his residence. The client requested to unite the studio where he produces works with his living space. Thus, the architect came up with an optimum plan by clarifying how the resident wants to live instead of segmenting the space by function.
The site is located along an arterial road that runs through the countryside. In the neighborhood stand private residences and a grove of the village shrine surrounding a passage to the shrine. The building is made of mortar and galvanized steel sheet which reflects dull light, making it look massive. It is laid out to be accommodated within the L-shaped lot and stands to face the shrine on the opposite side. The dim passage from the entrance approach invites visitors into the innermost space while guiding them with light thrown from the ceiling of the connected gallery. The gallery clips out a landscape with the opening to look like an exhibition. Its contrasted scale and natural light resonate with each other.
The space that quietly inspires a feeling of exaltation in ordinary life, which also plays the role of the photogenic shooting location. The long thin passage serving as an alley to go around the gallery has other functions than a mere pathway; it is also used as a space to post artworks and photos on the wall. It is beautifully themed with sight switching, different ceiling heights, and shade and shadow created by natural light. The hall that is located at the center of the building with different floor levels plays a role of a hub which connects with each space. It also incorporates plumbing equipment, a counter, and a staircase that are necessary for living, and is connected to an approach from the courtyard, thus not only providing functional comfort but also displaying scenic beauty.
The building being used as a living space also offers a dynamic space with proportion and scale that allow it to serve as a photo studio. The light coming through the high-side light envelops the room, enabling photo-shooting with natural light. Photo shooting equipment, vintage furniture, musical instrument, and artworks are placed here and there, blending in with space. It acts in concert with the photographer’s feeling and aesthetic and acts as the base to produce new creativity and activities.
© Norihito Yamauchi
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