Snow Hotel by 1990 UAO + Archigroup MA located in Banpo-daero 14-gil, Seocho-gu, Seoul, South Korea | The Hardt
(Translated from Korean to English) It is a common sense that detailing takes its place at the later phase of the process, and this is especially true for an architectural design. However, on the other hand, I think it is possible for detail to be the beginning of the process. The more so, if the process is for interior design. Although Mies van der Rohe said, “God is in the details” to emphasize and Rem Koolhaas stated, “no money, no detail, just pure concept” to put off the plan before anything, the detail was what connected the beginning and the end of this project. The detail is not limited to properly joining and finishing the materials. It motivates the design, brings harmony to neighboring materials, and sometimes the detail itself grant certain characteristic to the whole space. Every material has its own unique characteristics and it can be revealed through the detail. Properly displayed detail distinguishes itself from the other materials, and that uniqueness became the main material for the design for this project.
As shown in interior finish material legend fall architecture sheet set, base boar displace at the edges fall to floor and wall. Such element, which was added due to functional requirements, is part of both wall and floor. Molding at the edge of wall and ceiling is another example that exists and travels between two different elements. Door and window also make the similar relationship with the wall in the same manner. All these regular elements that construct the architecture become a key for a design, and there results obtained from the mixture of interpretation, decision, intuition, and response to this key. Material lays in-between matter and the result of the work using that material. In other words, matter turns into material and material turned into a building. However, there is another factor that material must have in order for it to be an architecture not merely building. That factor is called attribute. The attribute is like a prerequisite for the matter to be that matter, and a special process is required in order to put an attribute into a material. It’s the respect (or attitude towards) for material. In this project, fidelity and betrayal toward that respect coexist. Real is mixed with fake, thing-in-itself and phenomenon coexist, and characteristic and accident intersect each other.
Like the way the image on a mirror exist yet differ from its origin, the stone is thin and sharp yet heavy, and the tree is soft and warm while it is still hard. Brick is thickly stacked in one place, yet sliced and added in another place. Although it is hard to distinguish tile and wallpaper using their applied location and purpose, they are in fact the same as they both serve the same purpose of the cladding. Every material stays in the place where they belong to but still appears in unexpected places with the different image. In this project, the material is made from matter, but they share half the appearance and personality of matter. “There is no sound in the mirror and me inside the mirror is unable to shake my hand as he is left-handed, however, me from the mirror, who is opposite of me, is actually somewhat similar to me.” (Yi Sang)
Oftentimes, floor and ceiling share a similarity in many ways. They both have similar size and shape. However, man always walks on the floor and stay under the ceiling and it is uncertain whether it’s good or bad. They are different, yet similar to each other, and they look alike, but certainly not the same. But now, they are made to be perfectly identical to each other. The floor becomes a ceiling and ceiling becomes a mirror of a floor producing an illusion of looking down on a ceiling while walking on the floor. So the interior lightings are projecting both floor and ceiling at the same time. Of course, neither floor nor ceiling has a mirror on them. Black stainless steel is covering the entire curved wall and distorting naturally scattered chaotic lights on the ceiling into stars (lobby). The wall with a mirror on the opposite side of room entrance creates another exit that can never be used. Once you go into the room, you will encounter two bedrooms on each side, but there is no need for making a hard decision as one of the bedrooms won’t be able to shake my hands. The shape of combined light from the floor and the door inside the mirror is the same as the one that appears on the floor when you open the door. This is the overlapping moment between reality and delusion. Everyone look into a mirror at least once a day to shave or wear make-up. A mirror is a familiar object that people use in their everyday life, but in this project, it plays the role that grants a bit of unfamiliarity.
There are many pieces of furniture that are occupying the room, such as bedside table, closet, table, shelf, sin, and tub, but not all of them are brought from the outside of the room. Part of the wall pops out and changes its form to a headboard and certain part of that headboard turns into a small table. The floor, which has different heights like wide stairs of the plaza, changes into the chair or back support, center part of the floor rises and functions as table and headboard, sink and shower booth, which is part of a bathroom, are actually an extension of the room floor. A long table, where the television and laptop are placed on top, can be a mat for closet, bathroom and entrance floor. When water fills the sunken floor, it naturally becomes a tub, and carved round stone sticking out from the wall becomes a sink. When this wall reaches the bedroom horizontally, it becomes a large headboard that surrounds the bed obliquely.At last, the bed is no longer furniture. The bed is now part of the bedroom.
© Sun Namgoong
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- House B + B (2014) by Studio MK27 – Marcio Kogan + Renata Furlanetto + Architects
- Ecork Hotel (2013) by José Carlos Cruz | The Hardt
- Innovation Center UC – Anacleto Angelini (2014) by Alejandro Aravena | ELEMENTAL
- Redux House (2013) by Marcio Kogan + Samanta Cafardo
- Casa Once (2018) by Espacio 18 Arquitectura + Cueto Arquitectura